According to Chinese movie, Taiwan is always an inseparable part of Chinese movie. In the 1980 s, the rise in Taiwan "new movie" movement on the development of modern movie interrelations has a far-reaching influence.
Although Tai Wan movie develop independent in a different political environment, Taiwan is still own an important force in the field of China's national cinema movie, both Taiwan and mainland movie contain Chinese tranditional elements.
Taiwan's new movie and Hong Kong New Wave are quite different in the shooting technique, Taiwan's new movie is opposed to Hollywood, promote the localization, instead of Taiwan, Hong Kong New Wave is praise highly to Hollywood movies. According to theme and content, Taiwan's new movie presents the development of Taiwan over the years of vicissitudes. But the Hong Kong new wave lack of history, and history are loading the vicissitudes of life. In addition, the Hong Kong new wave film and failed to build a new model of the traditional thought self-sufficient. And Taiwan's new film directors own a kind of unity and cooperation of the collective consciousness.
In Taiwan's movie, " history is not narrated but evoked, it emerges not a logical, univocal sequence of events but as a complex Benjaminian " constellation" that brings together fragments of individual life stories into a monad that remains open, ambiguous, and " pregnant with with tensions".
In my project, I will show some of the new movie in Taiwan history, there is a favourite one named " GoodBye May", it will be my represent sample in Taiwan movie field.
Bibliography:
1. June Yip (1997), Transnational Chinese Cinema: Consturcting a Nation: Taiwanese History and the Film of Hou Hsiao-hsien Page 144. University of Hawai'i Press.
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